The tale of Cinderella has been recognized around the world and the themes from the tale appear in the folklore of many cultures. Thus, many versions emerge based on the archetypal character of Cinderella where most of the versions always center around a benevolent, but persecuted heroine who happens to be the victim of her step-family after the death of her mother. Her father is either absent or neglectful, depending on the version. The heroine also has a magical guardian (fairy godmother) who helps her to defeat her persecutors and receive her fondest wish by the end of the tale. The same sort of clothing, usually a shoe or a glass slipper also shapes the story where at the end the heroine is recognized for her truth worth. What is an archetype? According to Bert.O States (1980: 334) archetype is best described as:
…a sort of quark in the structure of time whose existence we can only posit as being necessary to explain the phenomenon of unintentional recurrence. In fact, unlike the quark (which, as I write, we have just caught streaking boldly through matter), the archetype is not discrete at all but the ghost of a former form, endlessly migratory, infinitely tolerant of new content, ever fresh, ever archaic.
…a sort of quark in the structure of time whose existence we can only posit as being necessary to explain the phenomenon of unintentional recurrence. In fact, unlike the quark (which, as I write, we have just caught streaking boldly through matter), the archetype is not discrete at all but the ghost of a former form, endlessly migratory, infinitely tolerant of new content, ever fresh, ever archaic.